Worry Pets

As you know, squiders (har har), I keep a Pinterest board with various craft project ideas on it (it’s here, for the curious) and occasionally, the small, mobile ones and I do some of them.

This week we made worry pets.

Aren’t they adorable? From left to right, we have WorWor, Wor, and Hans. (We’re still working on naming.)

They were really easy–we got all three done in an hour, even with “help,” and the small, mobile ones could do a lot of them by themselves (putting on the eyes, pouring in the pellets, handsewing the closure).

And they’re pretty great in general, very soft, pleasing weight to them, excellent for calming. (One of the small, mobile ones is on the spectrum, which is why we made them in the first place, but I’m finding mine to work for me as well.)

So, hey, if you’re looking for a quick, fun project that gives you something that’s actually useful, I’d recommend this one. The tutorial is here.

I’m pondering making everyone capes for the fall. Everyone likes capes, right?

First Class Up!

Happy Tuesday, squiders! I hope you’re all having a lovely day! (I am because I just got a short story acceptance, hooray!)

We’ve been gone on a road trip (but thank you for all the lovely likes and comments on the foundational book posts I set up before I left–and I did want you to know that I found Alien Secrets yesterday. It was on a different bookcase than expected, but other than that it was pretty dang obvious. Whoops.) but I’m back now.

(We went on another National Park tour, this time hitting Mesa Verde, Petrified Forest, Sunset Crater National Monument, Sequoia, King’s Canyon, and Yosemite. Lovely trees, sequoias. I’ve had a fold-out of one from National Geographic on the wall next to my computer for years, and now I’ve seen that particular tree in person.)

Right before we left, though, I put my nose to the grindstone and got my SkillShare class done.

I know we were all skeptical, but it happened.

I have a membership to a chain gym called the Row House (I rowed in college and have occasionally rowed with the local adult team, but like many other things in life, having small, mobile ones makes things more difficult) and for some ungodly reason they got rid of the 6:30 am class (perfect timing! I go while the spouse is still home and then he can go to work immediately after I return) and so now my choices are 5:15 (butt early, though about the time you’d be on the water if you were actually rowing) or 7:00 (done too late for spouse to get to work). Or, in theory, later in the morning, but then I am responsible for the small, mobile ones and have to put them somewhere.

Alas, the 5:15 normally wins.

(I am hoping they bring back the 6:30 once school starts but am starting to give up hope.)

The good thing about working out at 5:15 is that I am home by 6:15, and the small, mobile ones don’t normally roll out of bed until about 7:30.

Perfect time for filming, it turns out, except that it’s still a little dark out so lighting is a little problematic.

Long story short (too late), I had a lot of early mornings to myself right before we left, so I got everything recorded and/or filmed, and got the class uploaded the morning we left.

So, I wanted to share it with you! I’ve got two links–the first will let you watch the class for free. I’d love it if you do–I won’t get paid for it, but more eyes on the class will help it become more visible in searches, which will be helpful overall.

The second link will offer you a free month of SkillShare Premium (very nice, I did it back in November, and you can do any class you’d like, as many at a time as you’d like, and not hard at all to cancel before they charge you) and get you to the class. I get paid for the class this way, you get free classes for a month, but I understand that commitment is difficult and not everyone is up for it.

The class is called Story Writing: Premise vs. Plot, and explores what premise and plot are, how they’re used, and what the differences are between them.

Free link

Paid link

I’m starting to work on the next class, which will be on tracking story ideas so you can find them later. I think the next couple will probably focus on story ideas, since that will be the first book released.

Almost done with the submission nonfiction book now, so a reminder that if you want to beta any of them (and/or their associated workbooks), just let me know!

Anyway, good to be back! Please look at my class! I’d love feedback so I can improve things for the next class.

(Although I need to buy a new or fix my microphone because it fell apart in the middle of recording and I had to duct tape it back together, which is working with varying levels of success.)

Foundational Books: Winnie the Pooh

This one works somewhat backwards from normal because I, like many people in my generation, came into Winnie the Pooh through the Disney movies/TV shows. We had a VHS of the Many Adventures of Winnie the Pooh that I watched to destruction, and I was a great fan of the New Adventures of Winnie the Pooh television series.

(Seriously, it was a fantastic show and I wish they would re-release it in some form so I could show it to the small, mobile ones.)

I loved the characters, the way they’re all willing to help and go on adventures in their own ways. I liked that they’re so rarely going against each other as a source of conflict, and I liked how each character is given the opportunity to push beyond whatever their core element is, to grow as the situation demanded.

(Tigger has been and shall always be my favorite, but I am also fond of everyone else. Rabbit’s probably my second favorite.)

When I was 15, my grandmother, who knew of my great love for Tigger (I have never been subtle in my preferences, and at the time had several t-shirts and stuffed toys of the character, and we’d been to Disney World the year before and I’d managed to find Tigger for a picture), gave me a lovely hardback edition that’s a combination of Winnie the Pooh and The House at Pooh Corner. It’s fabric-bound and has golden bees engraved on the cover.

I still have it. And the small, mobile ones and I are into The House at Pooh Corner now.

The original stories are refreshing, each chapter a standalone adventure that never gets too scary or sad, peppered with little bits of silliness and a sense of love and friendship, especially between Christopher Robin and Pooh, or Pooh and Piglet.

It’s a nice thing to share with my family.

I know A.A. Milne came to resent the Pooh books, and Christopher Milne was never comfortable with the fame that came along with them, which gets into the argument about creation vs. creator that we see a lot, but the stories themselves are sweet, and I appreciate that they show that it’s okay to love your friends and to help them when you can.

(Also, if you’ve not read A.A. Milne’s The Red House Mystery, I highly recommend it. Apparently the only mystery he ever wrote, which is too bad.)

Read the Winnie the Pooh books, squiders? Thoughts on the books versus the animated versions? Favorite A.A. Milne book/play?

Foundational Books: Everything by Louis Sachar

I was originally just going to talk about the Wayside School series, but here we are.

Did you guys read those? They’re each a collection of short stories that take place at Wayside school, a school that, instead of being 30 classrooms next to each other on the ground, is 30 stories tall, one classroom on each floor.

(There is no 19th floor.)

(Except when there is.)

The stories themselves are vaguely horror, with evil teachers doing crazy things and weird kids with weirder traits. They mostly take place on the 30th floor, with the same class, so you get to know the kids and their quirks and there’s continuity throughout the series.

And there were a couple of books in the series about weird math, which I may or may not have enjoyed a dangerous amount.

The Wayside School books are an interesting mix of clever and weird, so when Holes came out, I remember being surprised that it was by the same author. I think I read some of Louis Sachar’s non-Wayside books previously, but they didn’t make much of an impact.

Holes, however, is brilliant and I love it a lot. And apparently so did everybody else since it won the Newberry and the National Book Award.

I remember being deeply invested in Stanley as a character, and being impressed with how interconnected each character was to each other, either in the present, or in the past. I think it’s probably the first book I read that had so many levels of story present.

It’s also not a terribly depressing book, despite some of its subject matter. I almost feel like that’s more effective, that if you make everything dark and gritty and horrible it just puts people off and makes it harder to see the lessons the story is trying to teach.

What do you think, squiders? Did you read the Wayside School series or Holes? Or was there another Louis Sachar book that fit your interests better?

Foundational Books: Alien Secrets by Annette Curtis Klause

Woo, squiders, it took me a while to figure out what this book was. I mean, I remembered the book itself–I read it probably a dozen times as a kid. I remembered the main character’s name.

I did not, apparently, remember the title of the book properly, nor could I find it in my basement stash (which is where the books I took from home ended up). Hooray for the Internet, I guess.

(But where did the book end up, then? Questions, questions.)

Alien Secrets is a 1993 children’s science fiction novel by Annette Curtis Klause.

This was probably one of the first science fiction books I read that was really, truly science fiction. (That wasn’t related to Star Trek, at least.) A lot of the books we read when I was a kid was your standard collection of Caldecotts and Newberry winners–things like Maniac McGee, Number the Stars, Caddie Woodlawn, Bridge to Terabithia, Where the Red Fern Grows–all wonderful books in their own rights, of course.

The closest thing I think I’d read before was A Wrinkle in Time, which is arguably science fiction, but it’s not mainstream science fiction, with spaceships and aliens and all that jazz.

At this point it’s been a long time, and I don’t remember the story too well (and with my copy currently MIA, I couldn’t flip back through it to remind myself). The main character Puck (not her real name, never is) makes friends with an alien on her way to meet up with her parents, who are on another planet. Said alien has had an important artifact stolen from him, so there’s a degree of mystery to the story.

Now that I’ve looked the book up on the Internet, I can see that there’s wildly varying views on it (Publisher’s Weekly, for example, did not care for the book’s pacing), but, for me, this was an important book, and helped cement my love of science fiction.

Read Alien Secrets, squiders? What book do you feel got you into science fiction and/or your favorite genre when you were a kid?

Foundational Books Intro

Good morning, squiders! I wanted to introduce a series I’m going to be doing over the next few weeks (and then on and off afterwards) where I go back and look at books that have been meaningful to me throughout my life for one reason or another. (Series will be included altogether rather than separately.)

(And I think, at least at this point, we’re only going to talk fiction. Nonfiction has its place and time, and while it can be extremely beneficial, it’s not really the same. There is a reason humanity needs stories, after all.)

Some we’ll probably have touched on before, here and there, and things, at least at the beginning, will probably skew towards children’s and middle grade books, but hey!

I think it’s really interesting to go back and look at the books and the media that have had the greatest effect on a person, to see what they learned and how that shaped them into who they are today.

And if you guys have had similar experiences or different experiences (with the book in question or just in general), I’d love to hear about them as well!

Halfway Through the Year

Madness!

(Thanks to everyone who offered encouragement about both PowerPoint and my class in general on Tuesday. You’ll be happy to know that I did finish the class and now just need to record the audio and get the thing posted.)

(Even thanks to Rick, who expounded on the value of using an overhead projector. :P)

Where is the year going? It’s half gone. It’s half gone and I am not being nearly as productive as I would like to be.

May was a wash, of course, due to certain unfortunate circumstances that we’re still dealing with, and June hasn’t been much better around the small, mobile ones being out of school (and some of us having been too eager when signing people up for summer camps). February was my surgery, and there was the car accident in March (insurance guy is not currently calling me back, go figure).

I think, maybe, around mid to late July things will start to calm back down.

But, I mean, is anyone ever exactly where they plan to be in terms of productivity for the year? Maybe. Maybe there are people out there who are better at estimating how long it takes to do something and how much time they’re likely to have to do said thing.

It’s not all bad, though. I’ve gotten things done.

  • I finished my serial story, which I’ve been working on since 2009.
  • I have edited almost all my nonfiction books (on the last one) and have made all associated workbooks/journals.
  • I finished the dummy of my first picture book and have done some editing on it.
  • I’ve written a few new short stories, one of which was published on June 1 (here).
  • I’ve been working on getting critiques on books that are in the revision stage (expecting one back sometime in the next few weeks, yay!).
  • I’ve been working through a writing class that I bought ages ago and have a decent start on a new novel.
  • I’ve been writing drabbles in established universes for fun and practice.

So not terrible. Not where I wanted to be–I did want the nonfiction stuff ready to do a few months back–but it’s not nothing. And we’ll keep on trucking, and everything will eventually get done.

(And then we’ll start new stuff and the process will be neverending.)

How’d the first half of 2019 go for you, squiders?

PowerPoint is Hard and Boring

Happy Tuesday, squiders! It’s a busy week around these parts (again) (we may have overbooked ourselves just a tad) but it’s fine. Everything is fine.

::nervous laughter::

So, if you guys have been around the last few months, you know I’ve been working on a Skillshare class to supplement my nonfiction book series (also in progress). There are, of course, a number of ways to make a class, but seeing how, at least for this first class, I’m not actively demo-ing anything, it seemed to make the most sense to make a PowerPoint with a voice-over track. (The intro and projects videos will be true videos, but the main content is in PowerPoint.)

Great, right? PowerPoint. I used it all the time back in high school and college for presentations. Very helpful.

I don’t know what’s changed, honestly. I mean, they moved the menus around, but they did that for all the Office stuff, so not that weird. I found the animations and the drawing stuff and, really, what more do you need?

So that’s not it. And the content is also fine–I’ve got a palette and fonts that match the workbooks I put together, and this is a subject I’m familiar with and am perfectly happy to talk on, so it’s not that hard to put the slides together.

Except it feels like pulling teeth. Why?

Best I can figure is because I’m writing out the script in the notes as I go. This seemed to make the most sense to me, so that I know the points I’m hitting/have hit and can keep track of what I’ve covered, and so that it will be easier when recording the voice over because I won’t have to think too hard about what I’m saying for each slide (and will hopefully avoid “um”ing all over the place).

Being prepared is a good thing, Kit.

I don’t know. It just seems way harder and more time consuming than it should be.

Any tips, squiders? Any thoughts why it seems like it’s taking so long? If you were taking a writing class (say on expanding ideas or learning how to outline) would you rather have the visuals of a presentation or watch someone lecture?

WriYe and Pen Names

Man, this week, squiders. The small, mobile ones have summer camps at the museum/zoo, which are conveniently next to each other, but are inconveniently an hour drive from our house. So I either have to stay here all day (and I have the smaller one for half the day, because she’s not old enough for full day), or I have to drive up, drop one, drive home, drive back, drop the other, get both, and then drive home again.

I am so, so sick of driving the same stretch of road.

And I’ve had to go back, because I have been sick. Apparently I have contracted tonsillitis from goodness knows where, and so I have had to go to the doctor’s, to make sure my tonsils don’t need to be removed. Yay.

(It’s excellent timing, as I’m supposed to be teaching songs to kids next week and can barely talk at the moment. Yay. I am so thrilled.)

But enough about that. Ugh, seriously.

Though I realize we’re most of the way through June, here’s the WriYe blog prompt for the month.

Real name vs pen name? Is one better than the other? Why or why not?

This is a question I struggle with all the time. Should I write under a pen name? Should I have multiple pen names for different genres? For adult stuff versus kid stuff?

It’s actually a subject I routinely bring up in discussions with other writers, who are probably all sick of me asking.

I’ve heard arguments both ways. Your real name is easily to maintain legally, if someone’s pirating you. Pen names help separate your real life from your public life. Using one name lets you show the breadth of your work, whereas using pen names lets you target specific reader groups so they know they’re going to get something they like.

I’ve given it a lot of thought, and to be honest, still have no clue. Right now I figure I’ll cross that bridge when I get to it.

Bonus:
Which would you use? Real or pen name? Why?

Well, I do use my real name right now. It is nice and alliterative (I had another writer at a conference ask me if it were real once), and it’s also nicely gender neutral, which can be a plus when writing speculative fiction.

But I am still on the fence.

Next week I should have more time, squiders, so I’ll see you then!

Promo: Knightmare Arcanist by Shami Stovall

Morning, squiders! Happy Tuesday! Today I have Knightmare Arcanist by Shami Stovall for your perusal. (There’s an excerpt at the bottom as well.)




YA Fantasy
Date Published: June 18th 2019
Publisher: Capital Station Books

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Magic. Sailing. A murderer among heroes.

Gravedigger Volke Savan wants nothing more than to be like his hero, the legendary magical swashbuckler, Gregory Ruma. First he needs to become an arcanist, someone capable of wielding magic, which requires bonding with a mythical creature. And he’ll take anything—a pegasus, a griffin, a ravenous hydra—maybe even a leviathan, like Ruma.

So when Volke stumbles across a knightmare, a creature made of shadow and terror, he has no reservations. But the knightmare knows a terrible secret: Ruma is a murderer out to spread corrupted magic throughout their island nation. He’s already killed a population of phoenixes and he intends to kill even more.

In order to protect his home, his adopted sister, and the girl he admires from afar, Volke will need to confront his hero, the Master Arcanist Gregory Ruma.

A fast-paced flintlock fantasy for those who enjoy How to Train Your Dragon by Cressida Cowell, Unsouled (Cradle Series) by Will Wight, and Percy Jackson and the Olympians by Rick Riordan.

About the Author


Shami Stovall relies on her BA in History and Juris Doctorate to make her living as an author and history professor in the central valley of California. She writes in a wide range of fiction, from crime thrillers to fantasy to science-fiction. Stovall loves reading, playing video games, entertaining others with stories, and writing about herself in the third person.

 

Contact Links




Purchase Links





RABT Book Tours & PR

Excerpt:

I outlined a fresh grave for the cemetery as bells rang from the isle’s tower, signifying the start of the celebrations. The soil reeked of ammonia and rot, but the crisp morning breeze washed the scent away, dispersing it over the ocean. I removed my shirt, allowing the wind to cool me while I worked.

Every ten years, the people on the Isle of Ruma gathered to watch the fledgling phoenixes bond with a few chosen mortals. Lamplighters did their duty despite the glorious sunshine, each lamp’s fire representing the flames of phoenixes. Merchants cleared their horses and carts from the main road in anticipation of the crowds.

This was my second Day of Phoenixes. A decade ago, on my fifth birthday, I missed the bonding ceremony to attend my father’s trial. He was convicted of murder, but because he hadn’t been born on the island, he was taken to the mainland for final judgement. That was the last time I saw him.

Although the last Day of Phoenixes had been inauspicious, I intended to change that. Once I had finished digging a shallow grave, I would make my way into town.

I slammed the shovel’s head into the dirt and scooped deep. The cemetery sat near the edge of the island, far from those gathering to observe the hopeful students trying to win the favor of the phoenixes.

Tradition stated that anyone who handled sewage, waste, and dead bodies wasn’t allowed to attend the bonding ceremony, which was just my luck. After my father was sent away, I could’ve been given to any profession for apprenticeship. I could’ve gone to the carpenter and learned the craft of woodworking, or I could’ve gone to the silversmith and learned the art of fine metal work, but misfortune hounded me like a shadow. I was given to the gravekeeper, slated to dig corpse-holes until the end of time, forever exiled from the festivities.

I still intended to go. Even if it meant ignoring the traditions of the isle—something unheard of on our tiny spit of land—no one could stop me from proving myself to a phoenix. No one.

I scooped another mound of dirt and tossed it to the side.

“You look deep in thought, Volke,” my fellow corpse-hole apprentice, Illia, said. “What’re you planning?”

“I’m waiting for the trials to begin.”

“And then what?”

“You’ll see.”

Illia sat in the shade of a cypress tree, her legs crossed and her chin in both hands. Most people hated the thought of sitting on graves, since it was supposed to bring bad luck, but Illia wasn’t like most people. She leaned back on a headstone and exhaled as the ocean wind rushed by, catching her wavy brown hair and revealing the scars on the side of her face.

She held a hand over the marks, like she always did. The moment the wind died down, she pulled some of her hair around to cover her scars, hiding the old knife wounds that had taken her right eye.

I finished one half of the grave and huffed.

Illia and I lived in a tiny cottage on the edge of the cemetery, apprenticed to Ruma’s sole gravekeeper. We both held the glorious title of gravedigger. Like me, she had no family. Well, we had each other, and Gravekeeper William, but he hardly counted.

For ten years, Illia and I had considered ourselves brother and sister, and siblings always know each other’s mood. Illia displayed all the telltale signs of irritation—narrowed eye, rarely blinking, her mouth turned down in a slight frown. She hated the fact I was keeping secrets from her. If I didn’t explain myself quick, she’d exact her revenge.

“I don’t want to become the next gravekeeper,” I said as I threw a mound of dirt off to the side.

With an eyebrow sarcastically raised, Illia asked, “So you’re going to impress a phoenix and leave this place, is that it?”

“That’s right.”

“Only two phoenixes were born this year,” she said, wagging her finger. “And the schoolmaster has already picked his two favored disciples to win the right to bond. No one wants you to take a phoenix from either of those try-hards.”

“I don’t care.” I scooped out another clump of dirt, my grip on the shovel so tight it hurt. “Bonding with a phoenix is too important. Besides, no one on this isle likes me anyway. Why should I start caring about their opinions now?”

Books by Kit Campbell

City of Hope and Ruin cover
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Shards cover
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Hidden Worlds cover
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