Good Omens

Maybe it’s just my corner of the Internet, but Good Omens is everywhere. My entire tumblr feed–normally a mixture of Star Trek, Lord of the Rings, Doctor Who, silly cat videos, and other assorted nerdy things–went COMPLETELY Good Omens.

This is, of course, because the mini-series came out on Amazon a little over a week ago, and apparently hit enough people’s buttons that the scifi/fantasy portion of the Internet picked it up and ran with it.

(I’m through episode 4 myself.)

While I’m not done with the mini-series, I am enjoying it. I don’t remember the book terribly well so I’m unsure how close it is to the original story. There’s obvious upgrades to bring the story into the present versus 1990 when the book came out (technology mostly), but beyond that, I just don’t really remember.

I mean, I do remember the book. Or I remember reading the book. It probably was at least a decade ago, if not longer. Books are interesting that way, aren’t they? Some stand out, and you remember them throughout the years. Others just fade away into a vague memory, and you couldn’t remember anything about them if you tried.

I remember Good Omens because it was the last chance I was giving Neil Gaiman. Have you ever run into that? You pick up an author that you should like, but something’s just not working for you. When I picked Good Omens up (and I actually think it was a birthday present or something) I had already read Neverwhere (lovely worldbuilding, lacking on plot and characterization) and Stardust (very different from the movie, more about that in a second) and had not particularly liked either of them, and was about to give Neil Gaiman up as Not For Me.

(I know the saying goes that the book is better than the movie, but I think that, objectively, this isn’t always true. My experience has been that it depends on which you did first, book or movie, and how much you enjoyed the initial version you were introduced to. Jurassic Park, for example. Movie first for me, and then I read the book some time after. It’s a fine book, but I prefer the movie. (The Lost World, however, is far superior in book form.) Stardust is the same for me. I really enjoyed the movie, and the book is very different, so I didn’t like it as much.)

(And then you have Howl’s Moving Castle, where the book and movie are wildly different and I adore both of them.)

But I liked Good Omens. I especially identified with Aziraphale, who basically just wants to be left alone to read his books. And I am glad I did read it, because my logic at the time was that, since I had liked it, and because I hadn’t particularly liked the other things Neil Gaiman had written, I should look more into Terry Pratchett, and the Discworld books are a gift (my favorite that I’ve read thus far is Equal Rites).

(And I eventually read American Gods, so Gaiman’s redeemed for now as well.)

Do I have a point? Not sure. I guess that Good Omens fits onto a short list of books that I remember where their being read affected something in real life. And that the mini-series is worth a look because it feels very true to the book, whether it actually is or not.

Watching the mini-series, squiders? What do you think? (Aziraphale is still my favorite.) Thoughts on Discworld or other Gaiman/Pratchett books?

Promo: The Mercenary Code by Emmet Moss

Good morning, squiders! Today I have a promo and excerpt for you for Emmet Moss’s new epic fantasy novel, The Mercenary Code, which is book 1 of the Shattering of Kingdoms series.


 photo The Mercenary Code_zpszh7ff4kn.jpg

Epic Fantasy
Date Published:  May 2019

 photo add-to-goodreads-button_zpsc7b3c634.png

The Shattering of Kingdoms, Book 1
Break the Code. Shatter the World.

Centuries ago, the murder of a beloved king tore apart the Kingdom of Caledun. The land was plunged into chaos and thousands perished in the aftermath. A new order was established in an attempt to return Caledun to its former glory. It failed, but in its place rose the beginnings of the Code.

During this same period, the mystical caretakers of the Great Wood retreated from the world of Kal Maran, their disappearance an ominous harbinger of the suffering that was to follow. The Great Wood now grows out of control. Cities, towns, and villages have fallen before the relentless march of the forest. Without the former guardians to keep her tame, the wood has become a place of peril, and dark creatures of legend now hunt beneath its leaves.

The summer season is now a time of armed conflict. The fall of the old monarchy has brought about a ceaseless cycle of combat. Grievances are settled by the strict tenets of a binding Mercenary Code and the men who would die to preserve its honour.

However, change is in the air. Political rivalries have escalated, and dire rumblings of a revolution abound. Thrust to the forefront of the shattered land’s politics, a mercenary fights for more than just riches. In the north, a borderland soldier wrestles with his own demons and looks to find his true purpose. And in the shadow of the Great Wood, a young man’s chance encounter with a strange visitor gives hope to a land divided.



Excerpt
chapter IX

Bider’s gaze wandered over the assembled enemy troops camped beyond bow range on the outskirts of the city. At least a thousand men lay to the west, another four hundred were guarding any attempt at a sortie from the south gate. A dozen distinct banners flapped in the strong wind, with each company standard easy to distinguish from Bider’s elevated vantage point. He studied the banners and counted only one northern company among the groups to the south. Most were unfamiliar him, and his eyes settled uneasily on the symbol of the black hyena belonging to Khali’s Reavers.

Nudging Orn, Bider gestured out towards the standard. “What’s the story behind the Reavers?” he asked. “You’ve been around since the early days of the Fey’Derin.”

“The Reavers are a bad lot,” Orn said, spitting over the wall. “A very bad lot.”

“That’s what I know, not what I want to hear,” Bider pressed.

Orn gave his companion a deliberate once over before answering. “Over the last century or so, there have been several unspoken rules in our profession,” he began, “One, is to always minimize casualties of the innocent, especially women and children. Another is to always accord captured officers fair and just treatment. Although such rules were never written into the Code, mercenary companies don’t take kindly to torturers —”

“So Khali’s men tortured officers?” Bider interrupted with alarm.

“If you’re going to interrupt, I’ll stop right here and now,” Orn growled. “Now are you going to shut that trap of yours or not?”

“Yes, sorry.” Bider answered timidly.

“As I was saying, there are several actions that are widely frowned upon. The last revolves around a company’s base of operations during the winter months. Be it a temporary encampment, or a permanent home city, it matters not. You leave the men and their families alone. There’s plenty of time for killing when the spring arrives.” Pausing to take a long sip from his ever-present flask, Orn shot Bider a suspicious look. “You won’t say anything to the Captain now will you?” he glared.

“Not as long as I hear this story …” Bider responded carefully.

“Well, it was three seasons ago, the year before you came on as a recruit, and the company was staying south for the winter. It was the first time the Captain chose not to take us back north to Briar, instead planning to stay near the eastern edge of the Caeronwood. Sergeant Fenton and the Lieutenant left the autumn campaign early with our newest recruits and built a relatively comfortable camp for the men. Rumours began to swirl by season’s end that a few southern companies had been contracted out later than the usual, and many mercenaries across the region speculated at what might be developing. Seems a few of the nobles in the Protectorate territories held the northern companies in some contempt, deeming them unfit to fight in southern lands.”

“But the Code states that the whole of Kal Maran is fit for any company to do battle,” Bider retorted.

“That’s right, but it doesn’t mean it sits well with some of the noblemen hereabouts. The Code isn’t perfect, and men’s hearts can be easily twisted, even by the most mundane of things,” Orn continued. “After the Battle of Cobourne, where the Fey’Derin fought for Lord Erion Brawn, word escaped that an early winter bounty was out on our company. It seems the Captain’s choice of employer over the years had angered certain factions, most notably Lord Yarr and his ally Duke Garius of Imlaris.”

“I’m not familiar with that name.” Bider said.

“He paid a large price to spearhead the campaign against our recruits. They hit the camp before we could muster our strength and warn them. That twelve of the fifty-six men survived, including Lieutenant Burnaise, is something of a miracle. It was a slaughter, and our young men had no chance. Bran, that big brute of an Axeman, still sports a nasty scar under that beard of his, but at least he survived, unlike many of his friends.”

“And it was Khali’s men that attacked?” Bider hesitated to ask.

“Aye, it was. They showed no quarter. Women who had arrived from the north or sweethearts from the nearby towns, it mattered little. Khali’s men murdered them all. Sergeant Fenton died trying to protect his young son and wife,” Orn replied gloomily.

“The Captain was cold that day. He showed no emotion, and yet we all knew he was hurting. His vengeance was swift and as unmerciful as the unjust attack. He mustered half the company and ambushed Garius as he travelled between cities. No one walked away from that battle unscarred. Captain Silveron ignored the man’s pleas for mercy and took his head, sending it in a box to Gadian Yarr.  Then we travelled north, taking a winding road through the Erienn mountain range, passing by Dragon Mount and the Silveryn Mages.”

“And the Reavers?” Bider asked, entranced by the sorrow etched in the storyteller’s words.

“We fought them the following season. Sergeant McConnal nearly destroyed their vanguard single-handedly, and the Captain, well he was both terrifying and awe-inspiring to behold. We haven’t seen those bastards in well over a year now, and it’s all any of us involved in that ambush can do to hold our tempers in check. There’s a reckoning still to come. The Captain swore on those dead men that he would kill the man who coldly slaughtered those innocents, and if I know the Captain, that day is coming.” Orn hung his head as he finished, staring solemnly at the ground.

A long moment passed, and Bider felt a pang of guilt knowing that he had reopened old wounds. Ignoring Orn as he took a second and then third pull from his silver flask, Bider slipped down the stone staircase and left his friend alone with his thoughts.



About the author:

 photo The Mercenary Code Author Emmet Moss_zpsakfnng98.jpg

Emmet Moss lives in Canada with his family and cat. He is a sports enthusiast and an avid reader of fantasy and science fiction. The Mercenary Code is the first installment of his Shattering of Kingdoms epic fantasy series. Book two, The King’s Guard, is set for release in Fall 2019.






Contact Links

Twitter  



Purchase Links


RABT Book Tours & PR

Flash Fiction to the Rescue

Morning, squiders! I talked a bit last week about how I’m having issues working on fiction with all that went down last month, and I think I’ve made a plan moving forward.

A couple years ago, I took a flash fiction course from Holly Lisle (you can find it here–it’s free). I was a little annoyed at the class set-up (you write all your beginnings, then all your middles, and then all your ends, and she recommends doing between 5 and 10 stories at a time) but I can’t argue with the results. I got four usable stories out of it, and I sold three without much trouble, which is pretty dang good odds.

(She also has a short story class–here–but I have not taken it and so cannot speak to its effectiveness.)

I’d remembered the class for some reason recently, and in my current state, it seems like as good a thing to go through as anything. I think I can tweak it a bit to aim more at 1000 words than the 500 the class is set up for, and also tweak it to get some stuff for specific projects.

I worked through the first part of the course yesterday (essentially identifying potential character motivations and the characters themselves) and already feel like I’ve got some solid ideas kicking around.

Of course, the challenge will be to see if the writing actually comes.

On the nonfiction front, I apparently got lazy on the last book when doing the posts on the blog, or else underestimated how much content I was leaving for the book itself. I’ve already written 3000 new words and still have two more new sections to put in. I’m also unsure about the book layout in general. Blargh. Things to have betas look at, I suppose.

I’m mostly annoyed because this is the last thing to get done before I can move into the beta stage, and it’s taking longer than expected.

How are you guys? Specific plans for the week or month?

Looking Forward to June

Oh, squiders, as you know, May has not been good in these here parts. And I can’t help feeling a little resentful about having my life upended, because I had such good momentum going.

Even now, weeks later, I’m still struggling to get any fiction written. I wanted to get a horror story into an anthology by today, but I’ve only managed 1000 words in the past week. I feel really bad about it–I hardly ever miss deadlines, but my spouse has pointed out that this particular publication seems to have similar calls fairly regularly, so if I don’t get the story done today (unlikely) I can probably just push it to the next call. (Or, honestly, I could change some names and try some other horror publications.)

I did manage a couple of things this month:

  • I got going here at the blog again
  • I finished the last nonfiction workbook
  • I’m most of the way through the last nonfiction book (admittedly the longest of the series)
  • I researched children’s book publications
  • I wrote 1000 words in the horror story
  • I read 6 books
  • I submitted short stories to their markets (admittedly much later in the month than usual)

I mean, not amazing. But at least I got up and got going again. It wasn’t the easiest thing to do, so if nothing else I can be proud of that.

Now I’m facing the summer. Holly Lisle is running a summer-long challenge that sounds great, but I’m just not sure I’m in a good place to participate. I want to finish up the nonfiction stuff (and work on the Skillshare classes that are going to go along with them), but honestly that won’t take the whole summer, and I don’t know if I have a fiction project I want to dedicate myself to (especially since fiction hasn’t been going well).

But she does recommend setting writing times/days for consistency, so maybe I can take that aspect of it and apply that moving forward.

So here’s my general plan for June: I’m going to focus on nonfiction. I’m going to finish the last book, I’m going to find betas (let me know if you’d like to beta any of the books/workbooks! I’ll probably post when I’m ready so you’ll know whats available), I’m going to get my first Skillshare class done (and maybe a second one!).

On the fiction front, I’m going to ease back in. I’m going to work on finishing my horror story. I’m going to write some drabbles and shorts. And if things start flowing better, we’ll re-evaluate doing some longer pieces.

And here’s to June being smoother sailing than May.

Any plans for June, squiders? Thoughts about getting back into fiction writing after suffering trauma?

What Order Do You Listen to Your Podcasts in?

I mean, I suppose it’s possible that you are caught up on all the podcasts you listen to and then it doesn’t matter.

(How? I was only listening to one and I still got three years behind.)

For those of you paying attention, here are the current podcasts, and the years they’ve operated (and where I am in them):

  • Welcome to Night Vale (2012 to Present, currently in 2017)
  • The Once and Future Nerd (2013 to Present, currently in 2014)
  • Myths and Legends (2015 to Present, currently in 2015)
  • Limetown (2015 to 2018, currently in 2018)
  • Tanis (2015 to 2018, currently in 2016)
  • Inn Between (2018 to Present, fully caught up)
  • Start with This (2019, have listened to trailer)

I want to listen to them oldest to newest and, indeed, that’s how my app stores them. But then the issue is that you get a lot of whatever you’re farthest behind on (The Once and Future Nerd currently) and not a lot of the others.

If I jump around a lot, then the app gets confused and plays what is normally not the next episode of a show (I got halfway through episode 203 of Tanis yesterday and then realized I had not listened to episode 202) which is also not awesome.

All of the story-based ones (Tanis, Limetown, and Inn Between) use seasons, so there can be a sizable break between seasons (Limetown season 1 was in 2015 while season 2 didn’t start til 2018, for example). Once and Future Nerd is operating in chapters/books, so it makes sense to listen to an entire chapter at a time, even if it’s 4 or 5 episodes long.

Myths and Legends has put out an episode every week for the last four years, and has the largest volume of episodes, so it’s the hardest to catch up on, especially since episodes don’t always easily flow from one to the other and they tend to be long (between 30 and 40 minutes).

Night Vale goes every two weeks, but since I was up to date before I stopped listening, I’m not that far behind in the great scheme of things. And Start With This is literally two years old, so there’s all of about five episodes.

It doesn’t help that I can’t really listen to any of them with the kids in the car (Inn Between is pretty good, though a little violent at times, as expected from a gang of adventures, but we’ve run out of episodes now and shall have to wait until they start next season).

(I have started listening to them while I cook dinner, which is pretty good, although sometimes it is too loud to hear.)

So, what do you think, squiders? Should I do a number of episodes from a podcast in a row and then move to the next one? Do all of one series and let the others languish? Do one episode from each and just keep going until we catch up on all of them (letting the ones with fewer episodes drop out of rotation when we catch up)?

Also, can you believe summer is almost here? (Unless you live in the southern hemisphere, and then, can you believe winter is almost here?)

It’s Okay to Self-Publish

Okay, squiders, we’re back in the old blog post drafts again. This one comes all the way from 2010, almost a full (yikes!) decade ago.

Back when self-publishing was, while not the weird and stigmatized thing of elder days, still not as accepted as it is today.

Here are the notes I left myself:

  • Doesn’t mean you’re a failure
  • Put out the best product you can
  • Be aware that you’re fighting an uphill battle
  • Harder to get traditionally published

Let’s unpack this while I channel Kit of nine years ago. Man, that was a very different life.

Doesn’t mean you’re a failure

Interesting. Was I assuming people were only self-publishing because they hadn’t been able to get a traditional deal? Back in 2010 I’d participated in…at least two indie-published anthologies. Was I defensive? Maybe so. Or maybe I was trying to let other people know that it was okay, that traditional publishing wasn’t for everyone or everything, and that each project should be evaluated individually.

Now, of course, some people actively choose to self-publish without considering traditional publishing, since you retain greater creative control and better royalties.

Put out the best product you can

Still true, of course. A well-prepped self-pub is indistinguishable from a traditionally published book. Yet I still pick up books all the time that I can tell are self-published almost immediately. The most common indicator I see is grammar–bad punctuation, run-on sentences, clunky writing. All stuff any editor worth their salt can help clean up. Then there’s general bad writing, inconsistencies throughout the story, and bad plotting. Haphazard covers. Awkward book descriptions.

I’ve heard it said that you have to either put in time or money, depending on what’s easiest for you. But you do have to put something in.

Be aware that you’re fighting an uphill battle

Hm. Did I mean because you don’t have a marketing team behind you? Maybe. But a lot of traditionally published authors these days still have to do their own publicity.

Did I mean in terms of legitimacy? (i.e., whether or not you’re a real author, if a self-published book is a real book) I’m betting that’s what I meant. I think, if you put in the time (or money) mentioned above, this is less of an issue than it used to be.

Harder to get traditionally published

I’m not sure this was true back then, nor now. Someone probably has numbers somewhere.

Publishing is such a weird industry and really anything could happen. Is a publisher really going to turn down an excellent book because you self-published some cringe-worthy badly-disguised fanfiction five years ago? Probably not (though maybe they’ll ask you to use a pen name).

Alternately, people have gone on to traditional publishing deals because they’ve self-published. So it really seems like you should do what it’s right for a particular project and not worry about it.

Thanks for joining me for another addition of “Kit digs out half-written blog posts from the past,” squiders! Thoughts on my thoughts?

Reoccurring Dreams

Man, dreams were great when I was younger. They were insane and fun and had great atmosphere. Most of my dreams as an adult are alternately about boring things or nightmares about things happening to other people I am responsible for. Which are not fun.

As a kid I had a number of reoccurring dreams. I mean, I assume I did. The thing about reoccurring dreams is…are they really reoccurring? When you’re in the dream and you’re like, ah, yes, I have been here/done this before, have you really? Or is that just another layer to the dream?

For example, when I was in early elementary school, we lived in a tri-level house out in the woods. Lovely place. We had seven acres of land, so I spent most of my time outside, exploring rocks and trees and imagining stories of my own creation.

The basement, however, was dark, lined with dark wood paneling and having a single wall of windows on one end. The light end was great (except for the time I fell off the shelf and broke my arm). The dark end was dark and featureless (and had an actual dark room, which we just…didn’t use for anything).

At the time I had a series of dreams involving the dark end of the basement. In the dream, I’d go down the stairs, but instead of there being nothing, there was kind of an…evil carnival. What exactly was there changed from time to time, but it was definitely something I dreamed various times. (There was an alligator once, and another time some scruffy little boy stole my favorite stuffed animal.)

My reoccurring dreams are always linked by place. It’s the place that’s reoccurring, and the events may or may not be linked from dream to dream. Oftentimes what’s changed in the place is directly related to how long it’s been since I’ve dreamed that particular dream.

I had reoccurring dreams a lot as a child, as I mentioned above. But, all of sudden, I’m having them again as an adult. I mean, I’m dreaming those same places from when I was younger, not having new reoccurring dreams.

I had one last week, though I don’t remember what specifically it was anymore. And I had one last night.

Let me back up. As a kid, my grandparents’ house was one of my favorite places. It was where I saw and played with my cousins. It’s where we spent a lot of time when my parents were divorcing, where I first got to touch and learn how to use a computer (and play games), where I spent hours up the crabapple or jumping off the wall or lazing about in the hot tub. My grandfather had a mining consulting business in the basement, with pictures of huge equipment and coal cores (which I touched only once and then learned my lesson) and this giant printer–and my grandfather was my very favorite person, may he rest in peace.

So it makes sense that I had a dream grandparents’ house that I would visit. The dream one was huge, several stories tall, with a tower, and a rideable miniature railroad, and a pool, and part that looked like a castle inside and out, and museum exhibits, and a place to host haunted houses, and mini golf. A giant library. Huge rooms for me and my cousins to stay in. And there was a separate building in the back, which was the “original” house (whatever that means in dream world), smaller and more modest but still not at all related to the real-world house.

I dreamed of this version throughout my childhood, but I don’t think I have since my grandfather died (19 years ago). Or I might have once afterwards–I have a vague memory of something being wrong with the tower and it having to be anchored to the hill behind it–but no matter what, it’s been a while.

So imagine my surprise when I found myself there last night, surrounded by my family (including my uncle, dead these eight years). The house, if anything, had become grander and bigger in the years since. But there was an undertone of disuse and decay throughout. There was a burst pipe that no one had bothered to repair for several years. Portions of it (such as the castle and the pool) were open to the public.

But the general feeling was that we, the family, had to give the place up, that it was empty and falling apart, and that we’d lost control and there was nothing to be done.

Not the most optimistic of dreams, but also not that surprising. After my grandfather died, family get-togethers were never really the same. That’s to be expected, I think, and perhaps explains why the reoccurring dreams stopped.

And last summer, my grandmother decided to move out of that house I loved so much from my childhood and sell it. So maybe this was just that–a last dream farewell to someplace that meant a lot to me, but that is now (and to be honest, has been, at least emotionally) no longer available.

A little slow on the uptake–the house sold months ago–but a farewell nevertheless, and a thinly-veiled metaphor of how family changes as you age and people leave your life while new people enter it.

Man, it is a cool house, though. Maybe I’ll dream of it again sometime, in better times.

Hooray for Eurovision

Squiders, you would not believe how long it has taken me to get this written.

My community has gone through a lot in the last week, and while we’re working toward getting back to “normal,” it has been draining, physically, emotionally, and mentally.

As such, I haven’t gotten anything remotely creative done. You want to know what I’ve done related to writing since last Tuesday? I finished reading through the agent section in children’s writers market guide.

That is literally it.

I haven’t even wanted to read.

I don’t think I’ve ever not wanted to read before.

(I’ve been getting around this by listening to an audiobook. NPCs by Drew Hayes. One of my Goodreads groups is reading it for May and the library only had an audio version. I haven’t gotten very far, but I am getting somewhere, at least.)

Trauma sucks and I dislike it.

But fixating on negative things is bad and is bad for your health, so thank the world for aligning perhaps the most perfectly distracting event on Earth with this terrible time: Eurovision.

I love Eurovision. I love the concept, I love the variety of songs presented every year, and I especially love when something noteworthily out-there is in the running.

The larger, mobile one (home a lot lately, due to said traumatic events) is watching it with me. After the first semi-final, he’s backing Iceland (I wish I could be surprised, but this is a child who used to fall asleep when I listened to symphonic metal when he was an infant). I listened to all the songs so I am backing Norway all the way.

This is a bop and I love it unconditionally.

We haven’t gotten around to watching the second semi-final yet (and the U.S. is country-locked on the Eurovision YouTube for some unholy reason, so we’ve been watching on a Swedish television channel’s website), but we’ll get there.

(If you are unfamiliar with Eurovision, you poor person, here’s a pretty good summary. I think I became aware of it some years ago when the video of Dschinghis Khan’s Moskau was circulating around the ‘net.)

So, thank you, Eurovision, for being there and being awesome.

Free Comic Book Day Round-up

The small, mobile ones and I had a full day on Saturday, but managed to get to Free Comic Book Day at our local coffee shop/comic shop/game shop around 9 am, meaning we beat most everyone and still had a good selection to choose from. I got four and the small, mobile ones each got two (I had to supervise the larger, mobile one, who was attracted to the most violent of the superhero comics and quite frustrated when I would not let him have them).

Here’s what we ended up with:

My Hero Academia/The Promised Neverland

Two mangas out of Shonen Jump (and rated T I see in retrospect, so I probably shouldn’t have let him have this either, sigh). The My Hero Academia one is literally some random battle with very little context (larger, mobile one does not care). The Promised Neverland half seems to be the very first part of the manga, and it is intriguing looking. I’ve stuck it on my library to-read list.

Pokemon

Larger, mobile one is periodically obsessed with Pokemon (he has hundreds of cards, and we’re going to go see Detective Pikachu on Friday), so here we are. Two stories in one again, the first half being Pokemon the movie and seemingly a literal retelling of Ash and Pikachu’s first meeting. The second half is Pokemon Adventures, and is the start of Red starting out to become a Pokemon trainer.

Defend Comics

There’s 5 comics stuck in this one, so you don’t get much of any of them: Pilu of the Woods, Apocalypse Taco, Nobody’s Fool, A Fire Story, and Bags (Or a Story Thereof). Pilu looks cute, about a lost dryad. Apocalypse Taco involves a lot of creepy goo monsters. Nobody’s Fool is maybe about watching a movie? There’s literally 3 pages in here so who knows. A Fire Story seems to be about losing the artist’s home to a wildfire, but, again, 3 pages. Bags could be good or not (the main character is presented almost as a child’s drawing as a person while everything else is realistic) but again, not enough in here to say.

Wolfie Monster and the Big Bad Pizza Battle

The monsters in here are cute. Wolfie and his brothers run Magik Cheez pizza, but there’s a new pizza chain in town that wants to buy them out. Smaller, mobile one was quite enchanted, and is probably about the right age for this overall.

Doctor Who: The Thirteenth Doctor

I think I get the Doctor Who ones every year. Unlike previous years, there’s only a single story instead of having bits of ones from multiple doctors stuffed in. On one hand, great, because it’s nice to see a bit of a story arc instead of just set-up or a scene with no context. On the other, how come poor Twelve never got an issue to himself? I am intrigued by the 13th doctor but have not actually gotten a chance to watch the last season yet.

Star Wars Adventures

I got this one last year too, which I only realized when I started reading this one. Han and Chewie are caught up in schemes again. Like last year’s free comic, you get an entire story, which I appreciate.

A Sheets Story

Seems to be a story about a girl dealing with the death of her mother by having an imaginary friend who is essentially a floating sheet. (The sheet is real enough, but Wendell the ghost is…probably not?) Seems like it could be a good story. Has an ad on the back for a comic called Mooncakes which apparently involves cute witches and werewolves and I’m here for that too.

Lumberjanes

I’ve heard of the Lumberjanes before somewhere, so I actually put back some steampunk horror comic to pick this up. There’s two mini-comics in here with different artists, so what I’ve picked up is that it takes place at summer camp? And they fight monsters. I dig it.

That’s me for this year. You guys pick up anything good?

Books by Kit Campbell

City of Hope and Ruin cover
AmazonKoboBarnes%20and%20NobleiBookscustom
Shards cover
AmazonKoboSmashwordsBarnes%20and%20NobleiBookscustom
Hidden Worlds cover
AmazonKoboSmashwordsBarnes%20and%20NobleiBookscustom